513 |
<> William Lionel Wyllie, (1851-1931) SHIPPING OFF THE BASS ROCK, a signed etching, plate impression size 21.5cm x 50cm, (8.5in x 19.7in), in card mount and gilt frame under glass £400-600 | Nil |
|
500 |
| 514 | <> AN UNUSUAL BAXTER PRINT depicting two exotic maidens before tropical river falls, one recumbent maiden feeding a pineapple to a naked child, the other standing beside a flagon and a basket of pineapples, printed mark "Feb 25 1856/By. G. Baxter/Proprietor & Patentee/London" lower left, 37cm x 26.5cm, (14.6in x 10.4in), in card mount and gilt frame under glass £100-150 | Nil |
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| 515 | <> A SET OF SIX HAND-COLOURED ENGRAVED ALKEN STEEPLE CHASE PRINTS, published March 1832 by S & J Fuller at their Sporting Gallery, 34 Rathbone Place, London, each entitled "A STEEPLE CHASE" with caption beneath, H.Alken Del't., Bentley Sculpt. the plates numbered 1 to 6, plate impression size 36.5cm x 51cm, (14.3in x 20in), in wash-lined card mount and Hogarth-type frames under glass £500-700 | Nil |
|
1200 |
| 516 | <> Henry Martin Pope, (1843-1908) A COVEN OF WITCHES with dark robes, one beside a cauldron, watercolour heightened with white, unsigned, 17cm x 24.7cm, (6.7in x 9.7in) in wash-lined card mount and gilt frame under glass, blue-printed stamp (twice) to backing board "HENRY POPE/STUDIO COLLECTION" £150-200 | Nil |
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| 517 | <> George Jackson Flemwell, (1865-1928) "STORM-BATTERED AROLLA PINES, RIFFELALP", (NEAR ZERMATT), gouache, signed and dated 1919 lower left, entitled in pencil in later hand verso, with extensive photocopied biographical notes, 35.5cm x 28cm, (14in x 11in), in wash-lined card mount, framed under glass * Flemwell was based in Switzerland during the Great War and passed on details of German espionage to British intelligence. As well as painting and writing about the Alps, he arranged a series of art exhibitions after the war in aid of wounded British soliders and sailors. Publications include "Alpine Flowers and Gardens" and a series called "Beautiful Switzerland" which featured a volume devoted to Zermatt. £150-200 | Nil |
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| 518 | <> T*** Hering, (fl.c.1900) RIVER FALLS NEAR AIGUILLES DU DRU, CHAMONIX, watercolour, signed lower left, 52cm x 36cm, (20.5in x 14.2in), in wash-lined card mount, framed under glass £250-350 | Nil |
|
225 |
| 519 | <> "Wilk", (John William (Bill) Wilkinson), (1906-1994) AN EARLY CARICATURE OF A FARMER OR SHEPHERD WITH TUP the gentleman unidentified, ink and watercolours, signed and dated [19]54 lower right, 34cm x 24.5cm, (13.4in x 9.6in), in ebonised frame under glass £120-180 | Nil |
|
140 |
| 520 | <> Elliott Henry Marten, (Exh. 1886-1901) "THE LANGDALE PIKES", watercolour, signed lower left, later-entitled in typescript on a label verso, 25cm x 42cm, (10in x 16.5in), in gilt lined card mount and swept gilt frame under glass £100-150 | Nil |
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| 521 | <> After Sir Alfred James Munnings, (1878-1959) THE BELVOIR HUNT, watercolour and body-colour, unsigned, 45.5cm x 58cm, (18in x 22.8in), in card mount, framed under glass £80-120 | Nil |
|
150 |
| 522 | <> William Payne, (1744/5 - 1833) A MOTHER AND CHILD BEFORE A CLASSICAL PORTICO in a woodland clearing, pencil and watercolour, signed and dated 1821 lower right, 14.5cm x 22.5cm, (5.7in x 8.8in), in broad gilt slip and gilt frame under glass, old label of George Hughes, Fine Art Dealer, 50 & 52 Pilgrim Street, Newcastle-on-Tyne verso £400-600 | Nil |
|
620 |
| 523 | <> James Burrell Smith, (1822-1897) A RIVER LANDSCAPE WITH PEEL TOWER, figures on a path to the near bank, watercolour, signed and dated (1859?) lower right, 16.5cm x 25.5cm, (6.5in x 10in), in broad gilt slip and gilt frame under glass £600-800 | Nil |
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| 524 | <> English School, (19th century) THE YOUNG ANGLERS, two children fishing from a stone bridge over a stream, watercolour, unsigned, 32cm x 24cm, (12.6in x 9.4in), in card mount and gilt frame under glass, label of Grundy & Smith, Exchange Street, Manchester verso £120-150 | Nil |
|
120 |
| 525 | <> English School, (mid 19th century) A COASTAL SCENE WITH FIGURES AND HORSES BEFORE A WINDMILL, watercolour, unsigned, 18.5cm x 31cm, (7.3in x 12.2in), in broad gilt slip and gilt frame, under glass, label of George Hughes, Fine Art Dealer, 50 & 52 Pilgrim Street, Newcastle-on-Tyne verso (foxing) £300-400 | Nil |
|
1050 |
| 526 | <> David Thomas Robertson, (1879-1952) THREE RURAL WATERCOLOURS LANDSCAPES, the first depicting five horses in a paddock, the second three horses, the third cattle in a meadow, all signed lower left, 48cm x 61.5cm, (19in x 24.2in) in broad gilt slip and swept gilt frame under glass (3) £500-700 | Nil |
|
1100 |
| 527 | <> English School, (early 19th century) A LAKE SCENE WITH PUNT, buildings beyond, watercolour, unsigned, 21.5cm x 35cm, (8.5in x 13.8in), in broad gilt slip and gilt frame under glass, old label of George Hughes, Fine Art Dealer, 50 & 52 Pilgrim Street, Newcastle upon Tyne verso (foxing) £100-150 | Nil |
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| 528 | <> A*** G*** Madrazza, (19th century) A LADY ON A SWING in 18th-century costume, a fan at her feet, watercolour signed lower left, 52.5cm x 35cm, (20.7in x 13.8in), in broad gilt slip and gilt frame under glass, label of George Hughes, Newcastle-on-Tyne verso £400-600 | Nil |
|
420 |
| 529 | <> TWO 19TH-CENTURY WATERCOLOURS comprising a circular example depicting a butterfly on a branch, inscribed verso on a later label "Painted by Dorothy Wordsworth/sister of The Poet William Wordsworth", 16.5cm, (6.5in) diameter, in ebonised frame under glass, and a rectangular still life with floral spray, 13.5cm x 18cm, (5.3in x 7in), in card mount and gilt frame under glass (the latter foxed) (2) £80-120 | Nil |
|
140 |
| 530 | <> "J*** Barclay", (Horace Hammond, Exh. 1902-39) A PAIR OF RURAL WATERCOLOURS entitled "A Sussex Village" and "A Wet Roadside", each depicting figures on a track before thatched cottages, both 'signed', 27.5cm x 52.5cm, (10.8in x 20.7in), in gilt entitled and 'named' gilt card mounts and gilt frames under glass *** * Hammond was a Birmingham artist, known to paint under this pseudonym. £200-250 | Nil |
|
240 |
| 531 | <> Thomas Collier, (1840-1891) A COASTAL SUNSET WITH MARTELLO TOWERS, watercolour, signed and dated 1860 lower right, 24.5cm x 39cm, (9.6in x 15.3in), on wash-lined card backing, in gilt frame with simulated rope decoration, looped to the corners, under glass £200-300 | Nil |
|
200 |
| 532 | <> Katherine Cameron, (1874-1965) "LOCK AILORT, INVERNESS-SHIRE", watercolour, signed lower left, gallery labels of T.R. Annan & Sons, Glasgow & Tillywhally Gallery verso, 21cm x 26cm, (8.3in x 10.2in), in wash-lined card mount, framed under glass £200-300 | Nil |
|
460 |
| 533 | <> William Heaton Cooper, (1903-1945) TWO EARLY WATERCOLOURS, the first depicting a coyntry cottage garden, signed and dated 1926 lower left, 27cm x 37cm, (10.6in x 14.6in), the second entitled "Woods in Spring" verso, unsigned, 25cm x 35cm, (9.8in x 13.8in), in matching wash-lined card mounts and gilt frames under glass £600-800 | Nil |
|
600 |
| 534 | <> Agnes Middleton Raeburn, (d.1955) THE CANONGATE TOLLBOOTH, ROYAL MILE, EDINBURGH, watercolour, signed lower right, 30.5cm x 21cm, (12in x 8.3in), in card mount, framed under glass *** * The tollbooth was built in 1591 as a collection point for taxes, a council house, a courtroom and a jail. It now houses a museum, "The People's Story". Agnes Raeburn studied at Glasgow School of Art and exhibited at the Royal Scottish Academy and Royal Society of Watercolourists. £80-120 | Nil |
|
140 |
| 535 | <> James W*** Milliken, (Exh.1887-1930) A CONTINENTAL MARKET PLACE, with cathedral beyond, watercolour, signed lower right, 24.8cm x 17.3cm, (9.75in x 6.8in), in gilt card mount, framed under glass £200-300 | Nil |
|
280 |
| 536 | <> James W*** Milliken, (Exh. 1887-1930) A CONTINENTAL MARKET PLACE, watercolour, signed lower right, 24cm x 34.5cm, (9.4in x 13.6in) in wash-lined card mount, framed under glass £300-400 | Nil |
|
300 |
| 537 | <> MAURICE MARLEY, in profile holding binoculars, ink and grey wash, signed lower right, 29cm x 20cm, (11.4in x 8in), framed under glass. £100-150 | Nil |
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|
| 538 | <> JACK BOWDEN, in profile smoking a filter cigarette and raising a glass, ink and grey wash, signed in pencil lower right, 29cm x 20cm, (11.4in x 8in), framed under glass £100-150 | Nil |
|
100 |
| 539 | <> 'THE HOME GUARD' - ALEC BECK, JOHN RIGG AND KIT AINSWORTH plus another unidentified character, ink and grey monochrome wash, signed in pencil lower right, 29cm x 20cm, (11.4in x 8in), framed under glass £100-150 | Nil |
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| 540 | <> ALBERT DALZELL, in profile with hound, ink and grey wash, signed and dated "Jan.53" lower right, 29cm x 20cm, (11.4in x 8in), framed under glass £100-150 | Nil |
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| 541 | <> JACK MILLS in rugby kit, kicking a ball, ink and grey wash, signed in pencil lower right, 29cm x 20cm, (11.4in x8in), framed under glass £100-150 | Nil |
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| 542 | <> FRANK RICHARDSON with two hounds, captioned "He goes for his ham and eggs, and I hold the b.....hounds", ink and grey wash, signed in pencil lower right, 29cm x 20cm, (11.4in x 8in), framed under glass £100-150 | Nil |
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